The DISPERSION fader controls the rate andīuild-up of dispersion behaviour, character and sonic texture over Whereas for smaller settings, the build-up is much faster with greater Larger size settings cause a slower density build-up, The OVERALL SIZEįader, independent of reverb time, sets the build-up and density of the The REVERB TIME fader sets the time in seconds for the reverb signal to drop to -60dB. It takes signals mixing between the COMP DELAY fader output and the ER MIX fader output. The TAIL INPUT fader is the final x-fade mix which feeds the reverb tail processor. The ER MIX fader provides a x-fade mix between the dry input signal and the output of the early reflections processor. X 2 the room size is available below and above the central X 1 setting. If the ER TRACKīutton is selected, then it tracks the early reflection room sizeĮxactly if the fader is set in the middle. The COMP DELAY fader sets the time after which the the reverb tail starts. The ABSORPTION fader controls high frequenxy roll-off, where increased absorption is reminiscent of soft furnishings and drapes. The PHASE SELECT button selects the phase of the feedback and its diffusion, characterised as softer or harder reflections. The FEEDBACK fader sets the proportion of reflected signal that is re-circulated. Maximum, all reflections will have equal level, irrespective of pathĪmount reflection density and echo complexity due to re-injection ofĭistributed sound within the simulated space. Settings will cause more distant reflections to be quieter, whereas at Separation is increased from normal, goingĬontrols the loudness of reflections in relation to path lengths.

The room proportions remain as the size is adjusted.įader sets the stereo separation of room reflections with normal The SIZE fader sets the front to back distance for the room. The POSITION fader selects the listening postion on a central front to back axis.

When setĪt 0.0, the low frequencies are completely unaffected.įour SHAPE buttons allow basic 'virtual room spaces' to be selected. To the reverb processor, but does not affect the dry signal. The stereo width, with variation from full stereo to mono.įader allows reduction in low frequency content for the signal passed

The STEREO SEPARATIONįader allows the left and right signals to be mixed in order to reduce The INPUT GAIN fader sets the level of signal fed into the reverb process.

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